Portrait 6

admin — Mon, 19 Feb 2018 18:54:34 +0000

Acrylic on Canvas – 135 x 198 cm. Painting details in below

Portrait 5

admin — Mon, 19 Feb 2018 18:50:29 +0000

Acrylic on Canvas – 135 x 190 cm. Painting details in below

Portrait 3

admin — Thu, 15 Jun 2017 16:46:51 +0000

Acrylic on Canvas – 130 x 170 cm. Painting details in below

Portrait 4

admin — Thu, 15 Jun 2017 13:11:06 +0000

Acrylic on Canvas – 160 x 160 cm. Painting details in below

Portrait 2

admin — Thu, 15 Jun 2017 13:06:04 +0000

Acrylic on Canvas – 90 x 120 cm.

Portrait 1

admin — Thu, 15 Jun 2017 12:58:26 +0000

Acrylic on Canvas – 90 x 120 cm, Painting details in below.

Self-Portrait

admin — Thu, 18 Feb 2016 08:26:21 +0000

Acrylic on Canvas – 200 x 240 cm – Polyptych. Painting details and (WIP) Video in below

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در صوتی که قادر به مشاهده فیلم از طریق کانال یوتوب نیستید برروی این لینک کلیک کنید

Self Portrait(Old painting 2009)

admin — Thu, 18 Feb 2016 08:22:44 +0000

Acrylic on Canvas – 140 x 210 cm – Polyptych. Painting details in below

Art! Who comprehends her? With whom can one consult concerning this great goddess?

admin — Thu, 18 Feb 2016 08:00:19 +0000

Acrylic on Canvas – 100 x 140 cm – Polyptych. Painting details in below

The Fathers of Enlightenment (The Four Horsemen of the Apocalypse)

admin — Sun, 18 Aug 2013 18:58:38 +0000

Derivative work- Acrylic on Canvas – 185 x 210 cm – Polyptych. Painting details in below

Crossing The Black Square

admin — Sun, 18 Aug 2013 18:55:01 +0000

Acrylic on Canvas – 180 x 210 cm – Polyptych. Painting details in below

By wrenching the image of the Kabba out of its context and turning it into a painting and using it as the background of a Horseman figure suspended in space make his most puzzling and controversial artwork real.

The significance and meaning of this work is puzzling. While The veil of the Kaaba points out the negative presence of the unexpressed statement .Such ambiguous title can be interpreted as, he was more influenced by artworks and less by the nature.

It may not be easy to recognise if his work is trying to express ironic skepticism or make the absolute claims of a mystic who sought to become one with the Absolute.

The Kaaba and those artworks which might be addressed by Crossing The Black Square will stand for a whole range of abstract and concrete ideas and concepts but It seems hopeless to try to undestand how these are present in this painting.

Siavash desires that the viewer brings his work in contact with the external world by deciphering and interpreting its inner qualifications thus he let viewer complete the work for him.

Italian version of “Critical Analysis of Crossing The Black Square” is availabe in the address below:

Crossing The Black Square-Italian version

The Bride Stripped Bare By Her Bachelors

admin — Sun, 18 Aug 2013 18:51:39 +0000

Acrylic on Canvas – 140 x 180 cm – Polyptych. Painting details in below

The artist quotes the Futurist Manifesto by Filippo Marinetti where he said:

“The oldest among us are not yet thirty and yet we have already squandered great treasures, treasures of energy, of love, of courage and eager will, hastily, deliriously, countlessly, breathlessly, with both hands.

Look at us! We are not out of breath…. Our heart is not in the least tired! For it feeds on fire, on hatred, on speed!… You find it surprising? That is because you do not even remember having lived! — Up on the crest of the world, once more we hurl our challenge to the stars!”

The All-Seeing Eye – 1 Version

admin — Sun, 18 Aug 2013 18:49:36 +0000

Acrylic on Canvas – 210 x 220 cm – Polyptych. Painting details in below

Comes first in order from a group of three different paintings sharing the same title.

His artistic approach seems like an archaeological excavation, to be reveal the lost remains of some unknown and incomprehensible, long-forgotten, sequence of events.

His strategy appear to disregard provocatively every expectation of the viewer by adopting the figure extracting it from its context and reproducing it with the same emotional indifference; that characterizes his unromantic style.

As he said ; one of the victims from Sardasht chemical bombardment is pictured, in this painting . By the direct and calmly dispassionate way in which the victim regards his invisible viewer ,which his gaze may be amounts to a refusal to be somehow “significant”. It seems that he addresses the war by avoiding it, and he avoids it by addressing it.

Now I am become Death, the destroyer of worlds.The All-Seeing Eye – 3 Version

admin — Sun, 18 Aug 2013 18:43:11 +0000

Acrylic on Canvas – 200 x 180 cm – Polyptych. Painting details in below

2Ver

The All-Seeing Eye – 2 Version

admin — Sun, 18 Aug 2013 18:37:37 +0000

Derivative work- Acrylic on Canvas – 140 x 180 cm – Polyptych. Painting details in below

© This work is based on an earlier work: Ellen Terry as Lady Macbeth by John Singer Sargent painted in 1889, Tate Gallery.

Originality & Value – 1 Version

admin — Sun, 18 Aug 2013 18:16:59 +0000

Acrylic on Canvas – 170 x 180 cm – Polyptych. Painting details in below

Originality & Value – 2 Version

admin — Sun, 18 Aug 2013 18:04:41 +0000

Acrylic on Canvas – 170 x 180 cm – Polyptych. Painting details in below

The Magic Flute(Old painting 2009)

admin — Sun, 18 Aug 2013 18:00:50 +0000

Acrylic on Canvas – 160 x 160 cm – Polyptych. Painting details in below

Untitled(Old painting 2009)

admin — Sun, 18 Aug 2013 17:58:01 +0000

Acrylic on Canvas – 90 x 170 cm – Polyptych . Painting details in below

Untitled(Old painting 2008)

admin — Sun, 19 Feb 2012 21:11:57 +0000

Acrylic on Canvas – 90 x 120 cm. Painting details in below